Tuesday, November 12, 2013
The Kazino (the casino) as it's called, is a supper club draped in velvet and adorned with glamorous chandelier lights. The show takes place throughout the performance space which is dotted with the tables of patrons. The orchestra is a band located throughout the theatre and the action takes place all around and amongst the patrons who are enjoying wine, cheese and other Russian delights which can be supplemented (read $$$$) with other menu items.
The story comes from an audacious book - War and Peace. But in reality it's really nothing more than a tele-novella or a lifetime movie, Girl is left alone by her boyfriend who is off to war. Girl meets new boy and new boy romances her. Girl realizes her delicate situation and tries to kill herself but does not succeed. Boy returns from war. Longtime friend of girl professes his love for her. And so goes the evening as a comet descends on the planet.
A+ for performance space and immersive approach to telling the story - no spoken word rather all sung! Not quite as high a grade for the story itself however. It seems unnecessarily drawn out (perhaps like the book from whence it came).
Overall, the show was magnificent and the evening was an entertainment success but I was left wondering why the story was not as dazzling as the cast, costumes, vocals, band, and venue itself.
Maybe I'll write a letter.
Friday, November 8, 2013
Noting to Hide is a magic show with an even bigger dash of comedy. As a matter of fact, the card tricks -some elaborate- manage to delight, but the chemistry and personality that Derek Delgaudio and Helder Guimaraes bring to the stage are the real stars of this show. A show of just card tricks would be a yawn, after all.
It's warm and funny and involves the audience in the slight-of-hand tricks which always adds to their material of amusing ad-libs in reaction to what they ask the audience to contribute. My only complaint is that it seemed too short. If these two ever give up magic, they'll always have comedy.
In fact, it might actually work the other way too.
Thursday, November 7, 2013
The play centers around 3 cousins gathering in NYC on Riverside Drive the during the funeral and Shiva period after their grandfather's (Papi's) death. Central to the evening's controversy is uber-Jew, Daphna (aka Diana) Feygenbaum, (Tracee Chimo) who seemingly thrives on divisiveness and contentiousness ("We're not arguing, we're talking" she explains at one point). She clearly dominates her introverted cousin, Jonah Haber (Phillip Ettinger), and clashes head-on with her nemesis and other cousin (and brother of Jonah), Liam (aka Shlomo) Haber (Michael Zegen). Molly Ranson plays the mousy girlfriend, (Melody) of Liam who unwittingly ends up being the reason for much of the angst-ridden family debate and vitriol.
It's a cauldron of Jewish issues of cultural assimilation, religious beliefs (and the ones chosen to be ignored), and most of all, family. Everyone, Jewish or not, can find a nugget of family in this play despite the specifics of this plot. By the end of the 1:35 minute run you'll be exhausted yet relieved at the same time. You can only take so much family time at once, after all.
Sunday, November 3, 2013
They start roughly in the 30's and walk us through the many great duos, trios, foursomes... and more - all the way up to the 70's covering a wide variety of styles and genres. Not only do they remind you of some of the popular tunes and who sang them but they also sneak in a bit of history of music and the evolution of music technology and record labels in the process.
They sing them all - and you just want more. They're animated, entertaining, personable, and delightful. It's one of these toe-tapping, head bobbing kind of shows. Don't miss this one - appearing periodically at The Triad (Stage 72).