title

title
Photo by Don Kellogg

Saturday, October 13, 2007

seating ARRANGEMENTS

There's a lot of Experimental Theater at The Flea. Seating ARRANGEMENTS is one such performance. You walk into the theater space and notice that there is a large horseshoe shaped banquet table with seating for about 16 - - and there are only 8 actors! You are asked if you want to join the feast. After a nervous "sure, why not", you start to think - are they going to talk to me? Am I somehow going to become part of this show? Are they serving food? The answer to all these questions is yes. But fear not - you won't be cross examined!

You will awkwardly indulge the cast as they chat with you - and sit right next to you! It's not exactly a scripted performance, but not exactly stream of consciousness either. Based on the short story Babette's Feast, the 8 actors speak directly to the audience as if we are all there part of their dinner party. They interact with each other as if they are in another time and place. Time, location, and characters bleed together.

The underlying concept is about what happens around the dinner table - how we all interact, the inappropriate things we say, or the things we don't say. It's a study in psychology and sociology. It's about topics that inevitably get broached - Religion, Politics and Love - sometimes appropriately, sometimes not.

Remarkably - I learned afterwards that there was no real script for this show. The actors all developed the stories based on their own experiences and beliefs. They melded them together in workshops and rehearsals. There's a violin, a rapper, a national anthem, and a dance. There's love, hope, revenge, and desire. It's a slice of life both current and past.

Kudos to the 8 performers from The Bats Theater Group - Donal Brophy, Jane Elliott, Ben Horner, Max Jenkins, Jocelyn Kuritsky, Nana Mensah, Bobby Moreno, and Sylvia Mincewicz.

Fear not - they serve wine. Drink up - and don't be shy. Wink at the adorable Max or chat up your cute neighbors. Who knows what might come of it.