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Photo by Don Kellogg
Showing posts with label Anita Gillette. Show all posts
Showing posts with label Anita Gillette. Show all posts

Tuesday, July 18, 2017

A Parallelogram

One of the few magical plays out there this season.  Bruce Norris is a master of subjects tangled up in mystery and time.   A Parallelogram is no different - can we change the outcome of the future if we knew or could replay what we already have done?  If we only knew?  Would we be kinder?  These and many other questions are tackled with aplomb by the top notch cast in this last presentation of the season over at Second Stage Theater.

A clever loophole and a fascinating theory fill this play with mystery and wonder.  Steven Kunkin (Jay) can smell the cigarette smoke (the loophole).  Celia Keenan-Bolger (Bee) provides the many of the questions and wonder.  Anita Gillette (several Bee's) provides some, but not all, of the answers and the magic. Together this husband and wife (and wife) team plow thru life and we are aware that something is not quite right.

Don't expect all the answers.  But expect a wondrous, funny, heart-warming performance by all the actors in what might be Mr. Norris' second best play.

Thursday, March 8, 2012

The Big Meal

A delicious meal is being served up at Playwrights Horizons upstairs in the Peter Jay Sharp Theater.  Dan LeFranc's new play is about life, or more appropriately life - fast forward -  and it's a 90 minute sprint thru the generations spawned by Sam and Nicole from first date to life's end.  It's about family, friends, fighting, and fidelity.  It's about looking at the big picture rather than dwelling on the tiny details.

And yet, Director, Sam Gold, lets no detail go unnoticed.  Mr. LeFranc's poignant dialogue is well constructed and realistically links the many generations together thru many a small detail - a locket, a yellow ribbon, cocktails, and photographs to name a few.   I must admit, on a few occasions, I got a little confused as to who was who and where in the chain of the family we were.  Mr. Gold's duty, and anyone who helms this play in the future, is to do as much as they can to ensure the audience is following along exactly as Mr. LeFranc intended.

The actors  - a cast of eight plus one - navigate the characters, seamlessly and creatively transforming and transitioning themselves from generation to generation. (Anita Gillette and Tom Bloom; Jennifer Mudge and David Wilson Barnes; Phoebe Strole and Cameron Scoggins; Rachel Resheff and Griffin Birney)  The main device employed here is that as the characters age, the entire cast all jump a level down to play the same character just played by a younger actor to simulate the aging process and allow a younger generation to enter the dynamic and propel the story forward.  (See, even trying to explain it gets complicated.  Imagine watching it at full-throttle!).  Everyone was delightful but especially-so was the always-lovely Anita Gillette who ends the show on one of most poignant and thoughtful moments I've seen in the theatre in a long time.

The play, with such a swift pace, often comes to a dead stop (pun intended) when a meal is served and while there are no surprises here, it's always a moment to pause and reflect (kudos Molly Ward - the only actor to play a single, constant character).

Stop over to Playwrights Horizons and join the audience each night to fill your soul with some perspective on a life - with the fast forward button firmly engaged.

Saturday, August 30, 2008

Flamingo Court


A summer delight is being played out over at New World Stages.  Written by Luigi Creatore after he retired to Boca Raton, Florida after an award winning record producing career (Can't Help Falling in Love, The Lion Sleeps Tonight), one can only imagine how much material was discarded in his quest to entertain us!   Seasons of the Golden Girls could probably have been written with all he has witnessed!

Jamie Farr (M*A*S*H) and Anita Gillette (Moonstruck, Jack Klugman's wife in Quincy take command of the stage in 3 separate stories that all play out at in an apartment complex in Boca Raton.  One part farce, one part pathos, and one part heartwarming - this trio of short one scene plays all paint an endearing and amusing look at life after 70 in the sunshine state.  Old people taking back to the soap opera on the TV set, pastel flowered couches, hearing problems, mall hopping and shopping, Alzheimer's, the children's inheritance, mishaps and mayhem all ensue.  Before, during and after the show and as the stage is reset between scenes, take notice of all the fun music used to recreate an era-gone-by ambience in the theater.  And let's not forget the theme song of Flamingo Court - Old is In!
For a "hoot" at the old "coots" - take your walker and amble on over to this gem on 50th Street!  You won't end up spending all your kids' inheritance either!

Sunday, April 2, 2006

70, Girls, 70

This was a Sunday evening TREAT! The show is about old people - and the cast of "old timers" was like the billing at a "Best of" award show. Encores! at City Center outdid themselves with this cast.

If you know anything about Encores - they put on rarely produced musicals. This one, by Kander and Ebb, appeared in 1971 just after Cabaret and just before Chicago but just didn't make it big.

This show is literally a show within a show - it was an attempt to give "older" folks a place in the spotlight as well as a role in the play on stage. So clever. Despite this fact, unfortunately, it seems that Follies (another show about old people) just opened on Broadway before this one - and the word on the street is that this one just couldn't compete. Oh well - that's how things work out sometime. It only ran for 35 performances.

Check Out this Cast:

Olympia Dukakis (Moonstruck)
Charlotte Rae (Facts of Life)
Mary Jo Calett (Pearl, Different Strokes)
Carole Cook (Hello Dolly)
Bob Dishy (Broadway/TV/Film)
Tina Fabrique (Broadway Legend)
George S. Irving (Long Broadway Career)
Anita Gillette (Broadway/TV legend)
and a company of "not so old", old timers!

Everyone was supurb. Encores only runs for a week, so all the performances are staged with the actors using their libretos. It's informal, yet still effective. And with this cast of characters you barely even noticed.

From the very top of the show - it was "all out" fun on stage. I hope I get to do this show when I'm 70!

We'll just have to see who else makes it along with me!