title

title
Photo by Don Kellogg
Showing posts with label Lindsay Mendez. Show all posts
Showing posts with label Lindsay Mendez. Show all posts

Thursday, July 2, 2015

Significant Other

Joshua Harmon has penned yet another "summer play" for all to enjoy.  It is being presented off-Broadway at the Laura Pels Theater at Roundabout and the venue and timing couldn't be more perfect.  It's like those summer beach books - not to complex, not too long, and a touch of serious but not too much that you're talking about the issues for days.  It's the perfect summer indulgence.

Trip Cullman has finally made his rounds complete at all the non-for-profit theaters in NYC and Roundabout is now finally the recipient of his fine directorial skills.  The show centers on the millennial, Jordan Berman, who is played with pitch perfect looks and tone by the adorable Gideon Glick.  He's cute, shy, and gay.  In this case it seems to mean he doesn't have any male gay friends.  This is a bit annoyingly unrealistic for the setting of NYC, but we'll go with it.  His BFF girlfriends are all growing up and one by one getting married.  Poor Jordan is being left in the proverbial dust because he just can't find anyone (again, in NYC I find this and odd premise).

Exposition reveals that each girl is herself quite a different character and Jordan gets something different from each of them.  Laura (Lindsay Mendez) is perhaps his closest and most sincere soul-mate from his youth.  Kiki (Sas Goldberg) and Vanessa (Carra Patterson) both play slightly more wild BFFs.  Together all 4 make up quite a bunch of fun loving friends.  As a foil to his youth, Jordan also has a close relationship with his grandmother (Barbara Barrie) who we are lead to believe is old, spry, perceptive, OK with him being gay, and slowly losing her memory but holding on to life itself. (i thought it odd that his parents are never really mentioned from what i recall).


Act I was long and contained perhaps a bit too much exposition than needed to get the basic point across.  Act II was much more confrontational and emotional which culminated in a scene in which Jordan basically unleashes a lifetime of pent up anger, frustration, and angst (about being gay, being a gay BFF and a lot of other baggage) on Laura in a very long and emotionally played rant that in itself deserved a round of applause when he was done.  

The play, like life itself, just moves forward and ends.  It's up to you to decide if it is hopeful, sad, inspiring, or depressing.  I suppose everyone can see a lot of character traits of both themselves and various friends in many of the characters - so everyone will take bits and pieces that suit their experiences away and it will be up to them to decide how they feel about the whole thing in the end.  I happen to see it with a bunch of single folks and I am left wondering if some of my married straight friends might take something different away from it than me.  I bet they do.

Thursday, July 12, 2012

Dogfight

A coming of age story (that's what we used to call bullying) of both boys and girls.  Tough.  Brutal.  Honest.  Powerful.


Joe Mantello and Christopher Gattelli bring Peter Duchan's Book and Benj Pasek and Justin Paul's music and lyrics to a brilliant life at Second Stage.   Lindsay Mendez, Josh Segarra, and Nick Blaemire and a large supporting cast bring a youthful innocence and believability factor to the characters all the while exercising their acting chops on some very fine material.

A summer treat.  Sets and Costumes by David Zinn were as good as they could be - every inch of vertical space was cleverly used given the 4 close walls of the theatre.

Look for this one in years to come on a bigger stage.  There's more potential just waiting to be exploited.

Friday, July 2, 2010

Everyday Rapture

A rare revisit of a show on my part - not by total choice, i might add.  This show had a fairly decent run at Second Stage Theatre last spring during which I paid it a visit.  Due to an "opening" in the Roundabout schedule and a stroke of fairly decent luck the show was granted a run on Broadway.

The story is mostly unchanged from the original - Small town girl with an overly-religious (flavor of the month = Mennonite) upbringing and generally racist/intolerant family wants to be a Broadway star.  Broadway here she comes... Broadway here she is!  Trouble is, the show is not really designed for a large Broadway stage, nor is the story very engaging.  It's basically still  a one woman show with a keyboard, guitar and drum set.  To fill the American Airlines Theatre they turned up the mics and put up lots of colored lights and background set filler.  Eamon Foley (broadwayislove2009@earthlink.net) is still a show stealing cutie.

I doubt this show would have made it to Broadway were it not for Megan Mullally's temper tantrum and subsequent abrupt departure from Lips Together Teeth Apart.  I thought the show was marginally entertaining off-Broadway, but for a repeat run - stay home and plan a trip to the beach this summer instead.