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Photo by Don Kellogg
Showing posts with label Gregory Wooddell. Show all posts
Showing posts with label Gregory Wooddell. Show all posts

Tuesday, October 4, 2011

The Lyons

A new play by Nicky Silver, The Lyons, strikes a bitter and bitingly funny tone that all too many dysfunctional families will likely recognize.  Never known for his innocuous dialogue or weak point of view, Mr. Silver puts death right in our faces this time as the patriarch of this family, Ben Lyons (Dick Latessa), is being consumed by cancer and near death in the hospital bed as his wife, Rita Lyons (Linda Lavin) and his children, Curtis and Lisa Lyons, (Michael Esper, Kate Jennings Grant) gather by his side.  From the very first moments, you realize this last visit is going to be anything but peaceful and quiet.

Ms. Lavin shines.  Her lines are peppered with bullets - most every one hitting a bulls-eye - each acknowledged with her trademark puckered lips, or a sharp glare.  The disappointment and anger of her entire married life boils to the forefront in these last few days.  Her children show up - each damaged in their own deep, sad, and personal ways over the years and bring no comfort to either father or mother - nor to each other.

Mr. Silver's play starts out in classic comedic form in Act I, but after a brief intermission Act II takes a few detours that take the audience by surprise - and especially Scene 2 in Act II, which seems to bring little relevance to the story and while cleverly acted by Mr Esper and Mr Wooddell (Brian), ended in an unnecessarily violent and disturbing confrontation.  Scene 3, which needed some link from Scene 2, returned us to the family drama more akin to Act I.  Add an unexpected detour and then it all wraps up.

Ms. Lavin's barbs, Mr. Latessa's rants, and their damaged children's pathos are all superbly and sharply executed.  If only Mr. Silver's story was as consistently impressive.  I think it's fair to say that if Ms. Lavin's name was not associated with this production, it would be far less enjoyable.  Nonetheless, it is - and therefore well worth the price of admission to see this stage veteran consistently fire her weapon and hit her targets with aplomb.

Thursday, November 1, 2007

Cymbeline

Late in his life, William Shakespeare started writing works for indoor performance with "modern" stages. Well, i think he also lost his touch a bit with this one. At Lincoln Center this season at the Vivian Beaumont Theater he seemed to throw in everything in his bag of tricks - - an evil woman marries the king just to get her son to be next in line to the throne - an old man reveals that he stole the king's two sons years ago - and those two sons (um, gorgeous!) saved the kingdom - - the king's daughter (Imogen) takes a vow of celibacy since he won't let her be with the man she married because he's a commoner - - this very same man is approached by this hunky man (shirt off in the baths was a nice touch) who bet him he could get his still wife to betray him and let him, shall we say, bang her - - he in turn tricks the woman and does not get in her pants, but steals her ring and watches her sleep -- so he tells the husband he won - which causes the husband to cast her off and hate her.... and on... and on... and on... there is a war with the Romans... poison potions... battles in the woods.... death... and that's only act I. Act II rounded out the performance in just about 3 hours. Oh brother!

Unremarkable performances by Felicia Rachad as the queen and John Cullum as the king (he's lost under all the King's Robes). Michael Ceveris (deceived commoner husband) and John Pankow (his devoted man-servant) hold the stage, but the story deals them a raw deal. Martha Plimpton, last seen in another LCT production (The Coast of Utopia) gave a valiant effort in a touch, gender-bending role.

Who knew Shakespeare wrote for As the World Turns?! Do me a favor - stick to Macbeth, Romeo and Juliet and Julius Caesar.