The Robber Bridegroom

The pure joy and toe-tappin' excitement over at the Laura Pels Theatre at Roundabout Theater Company is absolutely not to be missed.  Brilliant director, Alex Timbers, brings the the entire kitchen sink of musical theater joy to the stage in a revival of Alfred Uhry and Robert Walodman's  The Robber Bridegroom.

And tap your toes you certainly will.  Helmed by the incredibly hunky and easy-on-the-eyes Steven Pasquale (Jamie Lockhart, The Robber Bridegroom) who himself is a powerhouse of the theatre, this production is triumphantly successful at having fun and entertaining its audience.

Supporting Mr. Pasquale are darkly funny Leslie Kritzer (Salome), the devilishly handsome and talented Andrew Durand (Little Harp), and the beautiful and beguiling Ahna O'Reilly (Rosamund).

When the actors themselves all appear to be having fun, you know the show is going to be a delight.  At one point Mr. Pasquale seemed to be "gotten" by a line from another character and a Carol Burnett moment of trying to conceal the hilarity ensued.  It's a Mississippi tale brought to life 8 glorious times a week.

Theatricality at its highest of heights (kudos Mr. Timbers); Lighting dynamic and creative (Jeff Croiter, Jake DeGroot); and authentic sets (Donyale Werle).  The on-stage Band could not have been a more tightly integrated and absolutely adorable component to the show (Cody Owen Stine, Mike Rosengarden, Ben Lively, Douglas Waterbury-Tieman, Matt Cusack).

For a brief break from the political primary rat-race,  join this cast for a 90 minute ROMP!

Nobody Loves You

Reality TV meets Broadway... sort of.  Itmar Moses jumps into the reality TV cesspool by penning a funny, yet predictable, rom-com now playing over at Second Stage.

Heath Calvert (Byron) deadpans every line and hits the target each time as the TV series host.  Leslie Kritzer (Nina) nails the over-the-top, sun glass-wearing producer.  Rory O'Malley plays, yet again, a delicious gay character, (Evan), who steals the show.  Leads Bryan Fenkhart (Jeff) and Aleque Reid (Jenny) give top notch performances.

Now, the show won't win any Pulitzer prizes or OBies, but it's perfect for a little guilty theatre pleasure for the summer.  Just like Big Brother, go see what's on the cameras over on West 43rd Street.  I just wish the camera man got credited in the playbill!

Sondheim on Sondheim

A thoroughly enjoyable multi-media evening spent learning about the musical legend, Stephen Sondheim, at the legendary Studio 54.  My only complaint is that I spent over $400 bucks for a subscription to the Roundabout Theatre company - expecting to see great plays and musicals - and instead i get this.  It's cheap to produce and not what I signed up for.

Thumbs up to Barbara Cook and Vanessa Williams - two great voices from two generations.  Kudos to Leslie Kritzer and Euan Morton who solidly rounded out the cast and brought many laughs.   Norm Lewis is not stranger to the stage, but I'm not sure he was right for this role.  And then there's Tom Wopat.  Why people think he can sing and act, I'll never understand.

Mr. Sondheim materializes all evening on the fancy-schmancy TV monitors that morph all over the stage the entire evening.  He sets the scenes, tells the story and even makes us laugh and cry in the trip of memories down Sondheim Lane.  One wonders if he's so busy that he couldn't make an actual appearance live on stage in the very show that is a tribute to him.  Oh well.   The talent  gets an A but Roundabout gets a D for effort on this one.

On the Town

Another glorious, if only short lived, revival at City Center Encores!  A wartime musical penned by the indomitable pair - Betty Comden and Adolph Green with music by Leonard Bernstein.  The tale, as it goes, has 3 baby-faced sailors on shore for 24 hours in New York City.  One can only imagine the trouble they find.    First performed in 1944 during WWII, there is probably some small echo today of a wartime nation watching a few fresh faced (read absolutely gorgeous) young military boys entertain us on stage.  

Fresh off his role in Gypsy - Tony Yazbeck takes the helm (Gabey) with the support of his two sailor buddies - Justin Bohon (Chip) and Christian Borle (Ozzie).  The trio dance the show away - dazzling us with their graceful steps.   Paired up with each of the boys are equally talented young ladies each with a different take on life in the big apple - Leslie Kritzer (Hildy),  Jessica Lee Goldwyn (Ivy) and Jennifer Laura Thompaon (Claire de Loone) all live up to the expectations of their characters and each make you smile in their own way.  Brava!   But who steals the show?  Well - Madame Maude P. Dilly of course.   Played by none other than the incomparable Andrea Martin.

The show, as you would imagine, is a bit dated.  Kind of wholesome, square, and contrived - but most of the classic American musicals are.  For us in 2008 - it may seem phony - but it provides us with a glimpse back when times and people, too, were simpler.

Guest Music Director and conductor Todd Ellison took the helm of the Encores! Orchestra in grand style - involving himself in a scene or two - as it usually goes with the Encores! productions. 

If I had one complaint - it was not about the show's production quality - it was about the staging.  Shame on you John Lee Beatty for allowing the house to be sold out and then setting the "second" stage so far back.   The idea of placing the Encores! orchestra right up front is great, but you can't create an entire stage behind them.  Nobody can see what's going on - except for those in dead center orchestra seats!  For Christ's sake - i was sitting center grant tier - and i had trouble seeing what was going on back there on the sides.  The poor people who paid $95 a ticket in Row A of the Mezzanine should revolt and have you pay them back personally.

Were it not for the boyish and ever-graceful Tony Yazbeck (um, yes, i think he's absolutely and completely dreamy) I might be annoyed.  *sigh*

A Catered Affair

The iconic Harvey Fierstein has penned a beautiful book for this new musical - originally a 1956 motion picture written by Gore Vidal and turned into a teleplay by Paddy Chayefsky. For the trivia buffs in all of us, the movie starred Bette Davis, Ernest Borgnine, and Debbie Reynolds.

At its core, the story here remains the same. It's a tale that sadly sums up an entire generation of teenagers of the post WWI generation. The ones that got married way too early because they "had to". It's the story of regrets, of dreams forgone, and of the desire for your children to have a better experience.

Highlights: The lovely and talented Faith Price (Noises Off, Guys and Dolls) and newcomer, Leslie Kritzer (Legally Blonde). A dramatic mother-daughter duo that will bring tears to your eyes.

Neutral: Tom Wopat - dramatic portrayal of the father was convincing and skilled, yet his singing just isn't up to the same level as his acting.

Problematic: Harvey Firestein - OK, so he's written a beautiful, poetic, and touching dramatic work for the musical theater stage. Yes, there's a gay uncle who's funny and poignant and if that's all the part was, it would be perfect for him. But the part requires singing and it just pains me to hear him attempt singing. It's a musical. If this show was possibly billed as a "Play with Music", perhaps it would be acceptable. Music and singing, in that case, would not be the focus. His stage presence, artful acting and comedic timing just could not convince me to overlook the musical deficit.

It was a mistake for Harvey take a role. Writing the part would have been enough for me to leave the theater saying, "That Harvey, he's a genius with a pen". Re-cast with powerhouse talents equal to those of Faith Prince, this show has the capacity to be a Broadway juggernaut much like it's predecessor at the Walter Kerr, Grey Gardens. As-is, it's still a poignant musical drama written by a talented iconic figure, but fails to deliver on its full potential.

Legally Blonde

This might just be the Best Musical of the Year! Okay, it's a little "light" on the intelligence scale, but it rocked the house! I do still hope that Ms. Ebbersole winds for Best Actress in Grey Gardens - but I have to say - Laura Bell Bundy is going to give her a run for her money!

Yes, it's based on the movie - need i say more?

The supporting cast is large - and full of bubbles and energy. This is Jerry Mitchell's directorial debut on Broadway - an accomplishment that may not go down in the history books - but he also choreographed the show - and sensational describes that aspect of the show.

One thing this show requires is non-stop action, movement, glitz, pomp, and Broadway show numbers - and that's exactly what we got. Jerry's signature was all over the show. The Greek Chorus girls, (great idea, Jerry) and the usual gratuitous number or two including shirtless boys, high kicks, frivolous costumes, and not one, but two dogs are part of making the show a huge Broadway success!

OMIGOD You Guys!! Don your best pink shirt and slip over to the Palace Theater - - you''ll leave with a smile on your face. If, from nothing else, watching Andy Karl strut his "UPS" self all over the stage. (Unfortunately, he wasn't one of the gratuitous shirtless ones!)

The Great American Trailer Park Musical

Ok - so the title just about gives away the entire subject matter of the show! If ever you were shopping in Kmart or walking thru South Florida thinking "White Trash" - well this show hits on just about every reference, joke, and stereotype associated with the aforementioned topic in both dialogue and song lyrics... (one lyric laments "Like clothes from Kmart, my life is falling apart").

The characters - one stripper, three "gals" (think Dolly Parton, Jessica Simpson, and a trashy version of Cynthia Nixon), one overweight toll collector (think John Goodman) and his wife (an agoraphobic trailer-wife for 20 years) regale us with their stories via song and dance at a mobile home park in South Florida known as Armadillo Acres.

Now, despite the subject matter (you're probably thinking "low quality") - the actors are all virtual powerhouses and despite the "kitschy" surroundings, run a tight show. Occasionally speaking directly to the audience members and once zoning out into a "Sally Jessie Raphael Talk show dream sequence - - there is a real story behind the scenes - - and it's a simple message - - True Love Conquers All!

For the price of cheap coffee maker ($30) - saunter over to Dodges Stages and catch a performance of "The Great American Trailer Park Musical".