Brooklynite

There's a little slice of Brooklyn invading Manhattan at the Vineyard Theatre near Union Square in Manhattan.  Fear not.  The invasion is merely a riff on chemistry, superheroes and saving the world.  (Spoiler Alert:  Brooklyn survives).

It's an energetic, endearing, engaging, and enthusiastic undertaking by Michael Mayer and Peter Lerman.  Serious, not a chance.  Lively, funny, silly - all that and more.  Steven Hoggett's choreography  keeps the performers on their toes and moving all over the stage from beginning to end.  Mr. Mayer's additional role of director makes much sense.  He tells us his story, his way.

Helming the production is the deliciously nerdy and uber-talented Matt Doyle (Trey Swieskowski).  Supporting him are the suave and handsome Andrew Call (el Fuego) and the hunky Gerard Canonico (Kid Comet).  Stunning beauties Nicolette Robinson (Astrolass) and Grace McLean (Blue Nixie) both showcase their star powers and both blow the roof off the theater nightly.   Rounding out the cast is the stalwart Ann Harada (Professor Whitman) and powerhouse "goomba" Nick Cordero (Avenging Angelo).

There are plenty of riffs on Brooklyn - perhaps a few too many given the fact that nobody outside NYC would even know what the jokes mean (read a tour or regional theater is not in the cards for this one).  El Fuego awkwardly even says "I put the wick in Bushwick". (get it?  he's a flame and he's talking about a candle....ok).   The show runs 2 hours which isn't too bad, but I'd say maybe another 10-15 minutes could be shaved off the show to punch it up to the max.  Maybe cutting one too many of the ballads might work in this area.

It's not too easy to make a silly show based on superheroes work but this team has, at least the best they can given the subject matter.  In the end it's a love story,  a comic book like caper,  and a save-the-world story all rolled up in one.   For an off-Broadway, Not-For-Profit theater it's a bit of a coup to get such heavy talent to don capes and tights for 2 hours 8 shows a week (seeing Andrew Call in them and ripping open is shirt was worth the price of admission alone).  But he heart and soul of this show is inherently good and audiences will ultimately appreciate it - if not love and rave about it.  After all - saving Brooklyn is high on everyone's list - right?

Spring Awakening

Brace yourselves - This one is gonna be a hit! Broadway finally has a new, edgy Rock n' Roll musical that will stick. Grammy award winning Duncan Sheik wrote all the music - a fact that many a theater-goer might even pick up on even without reading the Playbill. And let's not forget this story must have been a true shocker when written in 1891 by Frank Wedekind who is considered one of the founders of modern drama and a real pioneer of the concept of expressionism in the theatre.

The musical today so cleverly juxtaposes the Wedekind dialogue of teenage coming of age in the 1890's with Sheik's biting and angst filled Rock n' Roll lyrics. The resulting message is clear and ageless - kids through all ages have the same problems - - suicide, abuse, growing up gay, sex, abortion, not fitting in, and of course, parental influence. All that really changes is the calendar and the costume.

The actors in this production have a deep connection to the subject matter. Most all of them are actually between 16 and 21 and have grown up with this production over the past 6 years as it made its way to Broadway from the Atlantic Theater Company off-Broadway. The talent is raw, true, and natural. It's not a bunch of 30 year old actors on stage pretending to be kids. It makes all the difference. You feel for these kids and connect with their emotions.

For many of the actors, this is their Broadway debut. While there is a true lead actor and actress (Jonathan Groff as Melchoir and Lea Michele as Wendla) - it's the ensemble that makes this one pop! We get to see the boys belt out their talents right from the beginning in "The Bitch of Living" and the entire ensemble rock the house in "Totally Fucked". It would really be a treat to see John Gallagher, Jr. (Moritz) walk up on stage next July at Radio City Music Hall to collect his Tony for Best Supporting Actor in a Musical.

With an "open" stage and steps down to the first row in the audience the actors seem to flow right into your world on several occasions. There's also 4 rows of bleacher style seating on stage on each side. Be prepared if you sit there. The cast sits among you when they are not performing; they burst into song and jump to their feet and stand on the chairs when you least expect your neighbor to be doing so! The Band is also placed upstage and in a rare move joins the cast and takes a formal bow with the cast - emphasizing their importance to the show's delivery. Each of them also has an individual mention in the playbill. Just as the show is about juxtaposition - so must the lighting be. Kevin Adams, lighting designer, takes the stage from monologue to dialogue to solo and melancholy ballads to foot stomping rock and roll and back all over again flawlessly.

These kids earned the standing ovation they got... and then some! Run, don't walk.