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Photo by Don Kellogg
Showing posts with label Ethan Khusidman. Show all posts
Showing posts with label Ethan Khusidman. Show all posts

Monday, December 28, 2015

School of Rock

I may likely have had the most fun at what I perceived as the least anticipated show of the season.  (Ok, The Color Purple may be the actual show at that rung of the ladder, but I digress).   I was indeed 'schooled' by the best on a Monday nite.

Sure, the movie was dumb.  I can't really say the adapted book for this musical was superior in any way.  I was pleasantly surprised that the music by Andrew Lloyd Webber himself was catchy, upbeat, toe-tappin', and appropriate for the raucous riot that occurs onstage 8 shows a week at the Winter Garden Theater.  I wasn't surprised by talented kids on stage - I expected it.  And my expectations were indeed surpassed.  The talented kids were played like a well tuned Fender by none other than the abundantly talented and uber-energetic Alex Brightman (Dewey). He ran that stage from the first minute to the last with what seemed like endless enthusiasm and boundless charisma.  The story is essentially him and the school kids.


Of course, this is a musical so we have to have other characters. If you want to sell tickets, these other characters must also have songs.  It was a thrill to see Sierra Boggess (Rosalie) on stage, but what a waste she was at the same time.  Of course she had to have a song.  Of course it ran the show longer than it should have run.  Of course this was repeated over the course of a few of the parents and teachers.  In a movie we would not have wasted so much time just to balance out the tickets and justify the lead equity contracts.  But again, I digress.

Parents and teachers were all fine, unmemorable, and frankly could give anyone their "big break" on Broadway and I hope it does.  The show is a big ball of fun and everyone on the stage looks like this is afternoon playtime, not a stressful performance.  Mr. Brightman and these kids are the stars and deserve all the credit to the fun of the evening under the swift direction of Laurence Connor.  Sloppy and abrupt scene changes and a book like Swiss cheese will all be ignored.  Class dismissed.

Friday, December 28, 2012

Chaplin

Roma, once again, was right!  Rob McClure is the shining centerpiece of this charming and delightful new bio-musical by Christopher Curtis & Thomas Meehan.  Chaplin is an audacious look at the entire life of Charlie Chaplin, a.k.a. the Tramp, from his birth in the London streets to his meteoric rise to fame in America in silent pictures, to his controversial political ideas during the Red scare in the '50s all the way up to his triumphant return to America in 1972  - filled with the untold tales of his many private sorrows and joys in addition to the many public achievements and scandals we already knew.

The entire score is lush, playful, and engaging.  But what captured my eye and earned my praise from the first moment to the last was the degree to which Beowulf Boritt's ingenious sets, Amy Clark and Martin Paklediaz's pastiche of vintage costumes, and Ken Billington's brilliant lighting design completely and thoroughly captured the monochromatic emotion and feel that the entire black and white era evokes in our memories.

Rob McClure, already crowned the break-out triple-threat star of the season, most assuredly captured Chaplin with great care and aplomb in a fairly demanding role both physically and vocally.  His swan song 'Where are All the People?'  is undoubtedly the icing on the proverbial cake of the show to which Mr. McClure decisively and deservingly earned that rare event, a standing ovation, mid-show.   Stand-out cast members include Jenn Collela playing the well dressed, down-and-dirty Hollywood gossip columnist and radio show host, Hedda Hopper including a fine interpretation of the lyrical lilt to her unique voice and Wayne Alan Wilcox, playing Charlie's rock-solid and steadfast brother Sydney Chaplin.

The show has already announced a national and international tour starting in 2014 despite posting an early closing on Broadway January 6, 2013 - largely due to some mixed reviews compounded by the inability to overcome a box office slump during Hurricane Sandy.

If you can, RUN, DON'T WALK to catch this one before it quietly takes off on it's world tour.