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Photo by Don Kellogg
Showing posts with label David Barlow. Show all posts
Showing posts with label David Barlow. Show all posts

Monday, July 18, 2011

Victory: Choices in Reaction

The sub-headline for this post should be "Between Follies".  That's because Jan Maxwell helms this heady, intelligent, no-small-undertaking of a play - in-between her Follies DC run and its transfer to Broadway.  Talk about a busy schedule!

Howard Barker's play is certainly not a run-of-the-mill work.  It takes place in the 1660's in England in the restoration period - which translates to a period when government was in chaos, political ideology was in flux between the economic forces, religious forces, and the old and new aristocracy.  I don't for a minute claim to be knowledgeable on this topic nor do I believe I understood everything going on.  What I do know is that Director, Richard Romagnoli has even further energized this powerful work by adding a rough edge to the production.  Pounding punk music and choreographed moves during each scene change add a dramatic contrast to the subject matter and time frame of the play.  Costumes and makeup add bite and drama to the already heightened tension of the story.

Despite the heady subject matter, the delivery by some of the actors was magnificent.  Of special mention is the stand-out performance by David Barlow who played Charles Stuart, A Monarch.  The monarch's extremely unstable mental state shown thru in Mr. Barlow's dynamic and potent portrayal.  Jan Maxwell seemed to immerse herself in the complex role of Bradshaw, The Widow of a Revolutionary and Steven Dykes equally impressed in his portrayal of Scrope, A Secretary (and several other minor characters also).

While this play might not be for everyone, I find more and more that off-Broadway houses produce such high quality work that while you might not think it your cup of tea, you're drawn in to a story, it's power, and the intimacy of the theatre that you find yourself enraptured, educated, and enthralled.  Next thing you know it's 10:45pm and you're dumped back out on the street wanting more.

Wednesday, October 27, 2010

Perfect Harmony

A gleeful (pun intended) trip down the high school vocal club lane.  Andrew Grosso and The Essentials (a group of other actors and singers) penned a little glee-club-like drama back in 2006 (before there was Glee).  Unfortunately, the comparisons today abound.  And unfortunately for the stage show today, Fox television and their million dollar production budget does it much better.   Let me be clear - this is not a prequel to the TV series, just a similar concept.

Frankly, I enjoyed this stage production immensely.  First of all, it's primarily about the Acafellas (an all boys a-cappella singing group), not a glee-club that miraculously transforms into a full stage and recording studio production event periodically throughout the show.  Am I a bit tired of the over-the-top "camp" with the singing stuff - yeah, maybe.  But if you can put the constant comparisons to today's TV hit, you just might find this stage production storyline quite enjoyable.

Make no mistake, this show is cast with actors who can sing.  In contrast, another recent a-cappella off-Broadway show, In Transit,  took the opposite approach - a-cappella group singers who can act.  I think it makes a big difference in your musical and theatrical experience.  On a related note, I'm not sure if I should call this a comedy (as the broadwayworld.com does), a play with music, or a musical.  But I digress...

The cast, as expected,  is composed of a wonderfully eclectic, quirky, and off-beat group of high school vocal mis-fits with an wide assortment of social, medical, and family problems - one hot jock who sings (Jarid Faubel), one groovy black girl (Kelly McCreary), one prim and proper white girl (Dana Acheson) one Asian girl with Tourette's (Marie-France Arcilla), two boys clearly from rich families as evidenced from the roman numerals after their names (Robbie Collier Sublett and Kobi Libii), one uber-geeky freshman (David Barlow), one extremely shy girl who is obsessed with people looking at her (Faryl Amadeus), one boy who doesn't speak and only sings (Clayton Apgar), and one Herzegovinian orphan (Kate Morgan Chadwick) ... along with a multitude of alternate characters the actors take on to round out the storyline.  What brings them all together?  Music and singing.  Do we recognize any of them in ourselves?  Without a doubt.  Do we laugh at them?  Absolutely.   Do we enjoy the pop songs they turn into a-cappella performances?  Immensely.

Take in a performance of this tuner over at Theatre Row in the Acorn Theatre and you might just walk away humming a few popular tunes in a whole new way.