I don't know about you, but it seems to me that there have been a whole spate of shows and movies about this Peter Pan character! Peter and the Starcatcher, Peter Pan Live on NBC, Pan (a movie) and now this audacious project - an adaptation by none other than movie mogul, Harvey Weinstein, of the Johnny Depp movie by the same name and the play The Man who was Peter Pan by Allan Knee.
My, oh my. We seem to be enthralled with Mr. Pan indeed. Audacious? Indeed. Successful? You bet. This particular flavor of the story is how the author, J.M. Barrie, actually came to write the story and what inspired hm.
Director, Diane Paulus, has her creative stamp all over this production. Sophisticated, smart, powerful, and sublime are all words that apply here. Ms. Paulus never fails to waive her magic want and turn what might just be an ordinary production into something magical.
The sublime and talented Matthew Morrison (J.M Barrie) and Kelsey Grammer (Charles Frohman) take on this production with gusto. Mr. Morrison is endearingly adorable (as usual) and Mr. Grammar, while not a skilled singer, tackles the role with gusto and wild abandon. The result is a potent production with several moments of sheer magic on stage. Choreographer Mia Michaels also put her mark of modern dance throughout the evening. The ever-talented Carolee Carmello (Mrs. du Maurier) delivers her usual outstanding performance as well. Fill the stage with 4 adorable child actors, a dog, and an ensemble of hunky sometimes pirate dancers, and an orchestration that fills even the furthest nooks of the theater with high fidelity sound - and you've got he makings of a hit on your hands.
The aforementioned magic on stage hit its mark each and every time. The conclusion of Act One is a crescendo of grand proportions and that's not where the action stops. The magic continues up to the very last minute of the play with a lot of heart and great theatre in between. I didn't even mind Mr. Grammar's mugging at a joke in Act Two (despite it's non-dramatic material person-specific reference).
Finding Neverland is a magical evening in a very big theater packed to the gills with lots of kids who are there to swoon over Mr. Morrison (who am i kidding, count me in that crowd too) but who just might learn they actually like the theater too!
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Photo by Don Kellogg
Showing posts with label Kelsey Grammer. Show all posts
Showing posts with label Kelsey Grammer. Show all posts
Tuesday, March 31, 2015
Sunday, April 25, 2010
La Cage Aux Folles
Yet another revival of this Jerry Herman classic. It seems only yesterday I saw this one (twice even) at the Marriott Marquis. (For the record it was 2004). For a show that had its original run in 1983, this one has done quite well in both New York and London.
This time around, however, is different - less glitz, glamor, sequins and stardust - and more family, love, and character. This time around we have Kelsey Grammer and Douglas Hodge as Georges and Albin. Les Cagelles, as they always are, put on a hot, dazzling performance - emphasis on HOT . Anyone sitting up close can see the bulging muscles these "ladies" clearly spend time working on (oh my!). An interesting choice this time around is for Jared De Jesus to play the role of the Jacob, the houseboy. He's certainly adorable, but I thought maybe he was a bit over the top - too much - trying to hard - more like a Saturday night live skit than a Broadway show. This, of course, is not his fault, and probably falls squarely on the director, Terry Johnson.
Overall, I think most people agree, the story is timeless - love and family take many forms and shapes - a message that still has a long journey ahead.
This time around, however, is different - less glitz, glamor, sequins and stardust - and more family, love, and character. This time around we have Kelsey Grammer and Douglas Hodge as Georges and Albin. Les Cagelles, as they always are, put on a hot, dazzling performance - emphasis on HOT . Anyone sitting up close can see the bulging muscles these "ladies" clearly spend time working on (oh my!). An interesting choice this time around is for Jared De Jesus to play the role of the Jacob, the houseboy. He's certainly adorable, but I thought maybe he was a bit over the top - too much - trying to hard - more like a Saturday night live skit than a Broadway show. This, of course, is not his fault, and probably falls squarely on the director, Terry Johnson.
Overall, I think most people agree, the story is timeless - love and family take many forms and shapes - a message that still has a long journey ahead.
Noteworthy Talent:
A.J.Shively,
Chris Hoch,
Christine Andreas,
Douglas Hodge,
Elena Shaddow,
Fred Applegate,
Kelsey Grammer,
Nick Adams,
Robin De Jesus,
Veanne Cox
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