Everyday Rapture

A rare revisit of a show on my part - not by total choice, i might add.  This show had a fairly decent run at Second Stage Theatre last spring during which I paid it a visit.  Due to an "opening" in the Roundabout schedule and a stroke of fairly decent luck the show was granted a run on Broadway.

The story is mostly unchanged from the original - Small town girl with an overly-religious (flavor of the month = Mennonite) upbringing and generally racist/intolerant family wants to be a Broadway star.  Broadway here she comes... Broadway here she is!  Trouble is, the show is not really designed for a large Broadway stage, nor is the story very engaging.  It's basically still  a one woman show with a keyboard, guitar and drum set.  To fill the American Airlines Theatre they turned up the mics and put up lots of colored lights and background set filler.  Eamon Foley (broadwayislove2009@earthlink.net) is still a show stealing cutie.

I doubt this show would have made it to Broadway were it not for Megan Mullally's temper tantrum and subsequent abrupt departure from Lips Together Teeth Apart.  I thought the show was marginally entertaining off-Broadway, but for a repeat run - stay home and plan a trip to the beach this summer instead.

Everyday Rapture

13

The new musical on the block, 13, made it's debut this past week.  As you might guess, it's a musical about being 13 years old - and there are 13 kids on stage to share the musical tale.   In this day and age where High School Musical XIV (is that what we're up to?) dominates the kid-scape - this musical just doesn't make the cut.   I'm left wondering why Disney has not brought it's international sensation to Broadway yet (who thinks Shrek the Musical will make it anyway?).

Let's get a few things straight.  This is not really a Broadway show.  It's just entertainment.  It's the clever, relevant, and thoroughly modern story of Evan, a, you guessed it, 13 year old who's from the Upper West Side. His parents are getting a divorce (surprise!) just before his Bar-Mitzvah (he's Jewish) and his mom uproots him and takes him to Appleton, Indiana (they don't have Jews there) to live.   You can just begin to imagine the trials and tribulations that follow.

What you have to juxtapose here is what i can only imagine to be most exciting times in the lives of these actual actor kids (trust me, i am SO jealous of them) against the fact you're paying $100 for a ticket to see... well... kids.  (Did i mention that they were all absolutely adorable and talented?) Why are we willing to pay this much to see kids sing slightly off key sometimes, miss a few dance steps here and there, not exactly command the stage, and put on what amounts to a really REALLY good High School Musical?  It's like the best of the best - but when the best are kids - it's not exactly Broadway quality.  Endearing and entertaining - but not Broadway.  (I have to say I also wonder if anyone else thought they were watching Cory Feldman and Haley Joel Osment on stage in disguise!)

I think the producers are going to lose their shirt on this one.  A run off-Broadway at the Minetta Lane or New World Stages seems more appropriate.   I hope I'm wrong for the kid's sake.  I hope I'm right for Broadway's sake.   You decide.

Gypsy