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Photo by Don Kellogg
Showing posts with label Jake Gyllenhaal. Show all posts
Showing posts with label Jake Gyllenhaal. Show all posts

Tuesday, December 16, 2014

Constellations

For 80 minutes on a Broadway stage, Roland (Jake Gyllenhaal) and Marianne (Ruth Wilson) manage to thoroughly engage you in a pastiche of possibilities, multiple dimensions of the universe, unlimited possible outcomes, and a world of possibilities that just may exist all at the same time.

Although a bit brief for the Broadway stage, the theatricality of the interactions and such well rehearsed and brilliantly executed vignettes captivate your imagination and keep the gears of your mind churning from the very first to the very last minute.

On a good day, theater is supposed to make you think and challenge your beliefs.  This play by the brilliant Nick Payne, first presented in London in 2012, succeeds wildly on both fronts  - and you may just leave the theater believing that there is still some wonder left out there in the universe. Blinking lights and white balloons included in the price of admission!

Thursday, November 1, 2012

If There Is I Haven't Found It Yet

Pretty much a 'Debbie Downer' over at Roundabout's Laura Pels.  I spent a lot of time trying to figure out who was related to whom and why we were all here.  As the vague plot unfolds (painfully slow) details, possibly on purpose, seem to be omitted.  I am pretty sure that was Playwright, Nick Payne's intention. Indeed it added a sense of despair to an already bewildering and depressing statement presented about one family's failed attempts at... well... family.

Jake Gyllenhaal (Terry) takes a stand out lead in this otherwise lackluster production.  Brian F. O'Byrne (George) has a more minor character but clearly does his part to mire the family down.

Director, Michael Longhurst, takes a big risk by immersing the play in water - overhead, and on-stage.  I doubt Mr. Longhurst could foretell the impending storm called Sandy, but in retrospect, his staging has an eerily dual impacts.

Although the concepts were seemingly well integrated with the staging - as disturbing as throwing the set pieces in the moat when they were done with them - I left the theatre with mixed feelings - - slightly satisfied at the overall staging and presentation but mostly disappointed at the pace and sense of vague-ness.

I say slightly because at some level, this work is a visceral, raw, and powerful attempt at telling an honest, deeply disturbing, and sadly quite common state of the family today.  I'm trying not to confuse that sadness with the pace and presentation itself.  That balance can be hard to identify and recon with.  

... I haven't found it yet either.