Hello Dolly!

Wow, Wow, Wow.  Dancing waiters, gorgeous gowns with gloves, gorgeous sets, fun, frivolity, and a magnificent score by Jerry Herman!  What more could you ask for in a decadent evening at the theatre?  Well, it only gets better when you add the delicious (this July only) Donna Murphy (Dolly Gallagher Levi), the fun and wacky David Hyde Pierce (Horace Vandergelder), the dapper and debonaire Gavin Creel (Cornelius Hackl), the darling and dashing Taylor Trensch (Barnaby Tucker) and the delightful Kate Baldwin (Irene Malloy) along with an ensemble the size of a small town.

This classic made famous by the indomitable Carol Channing roars back to life on Broadway this spring to pure delight.  Sure, the show is old fashioned, but isn't this just what the doctor ordered these days?  The characters are silly, the songs are lush, and the dancing is delicious.  Dolly plods on thru to get her man and makes a few matches along the way from Yonkers to New York City.

I opted to see Ms. Murphy on purpose and she didn't let me down with her spunk, pluck, elegance, and raw talent for playing a character.  Wow, Wow, Wow is an understatement when it comes to this show and this production does not disappoint - the lighting, the sets, the olios (canvases with murals painted on them), the costumes and color along with the music all contribute to the non-stop feeling of exuberance and joy this show brings to the audience.  When we get to the title number in Act II the audience has already contemplated an ovation twice before and at this point it is virtually un-stoppable.

Dolly, whether Ms. Murphy or Ms. Midler, is indeed back where she belongs.  Wow, Wow, Wow!

Chaplin

Roma, once again, was right!  Rob McClure is the shining centerpiece of this charming and delightful new bio-musical by Christopher Curtis & Thomas Meehan.  Chaplin is an audacious look at the entire life of Charlie Chaplin, a.k.a. the Tramp, from his birth in the London streets to his meteoric rise to fame in America in silent pictures, to his controversial political ideas during the Red scare in the '50s all the way up to his triumphant return to America in 1972  - filled with the untold tales of his many private sorrows and joys in addition to the many public achievements and scandals we already knew.

The entire score is lush, playful, and engaging.  But what captured my eye and earned my praise from the first moment to the last was the degree to which Beowulf Boritt's ingenious sets, Amy Clark and Martin Paklediaz's pastiche of vintage costumes, and Ken Billington's brilliant lighting design completely and thoroughly captured the monochromatic emotion and feel that the entire black and white era evokes in our memories.

Rob McClure, already crowned the break-out triple-threat star of the season, most assuredly captured Chaplin with great care and aplomb in a fairly demanding role both physically and vocally.  His swan song 'Where are All the People?'  is undoubtedly the icing on the proverbial cake of the show to which Mr. McClure decisively and deservingly earned that rare event, a standing ovation, mid-show.   Stand-out cast members include Jenn Collela playing the well dressed, down-and-dirty Hollywood gossip columnist and radio show host, Hedda Hopper including a fine interpretation of the lyrical lilt to her unique voice and Wayne Alan Wilcox, playing Charlie's rock-solid and steadfast brother Sydney Chaplin.

The show has already announced a national and international tour starting in 2014 despite posting an early closing on Broadway January 6, 2013 - largely due to some mixed reviews compounded by the inability to overcome a box office slump during Hurricane Sandy.

If you can, RUN, DON'T WALK to catch this one before it quietly takes off on it's world tour.

The Tin Pan Alley Rag

Curtains

This Kander & Ebb - Rupert Holmes musical is a gem. It may not be as flashy-dashy as Drowsy Chaperone - but it does one thing well - it entertains.

The show numbers are big and bold - lots of high kicks and toes-a-tappin' during the many rousing full cast numbers. What more would you expect from a "show within a show"? The basic plot goes something like this... A (pretty bad) show is being rehearsed and there are a few murders (yes, one might expect Jessica Fletcher to show up!). The investigation traps the entire cast, crew, producers, and director inside the theater. While the mystery unravels - the police lieutenant lives out his fantasy by "improving" the many numbers and scenes ultimately making it a success (and solves the murder mystery too!).

One can't help but also detect ever so slight references to songs and shows of days gone by... is KansasLand a spoof of OKLAHOMA!? Do we see the budding romance of the lieutenant and a cast member get played out in a fantasy dance ballet that resembles a Fred Astaire and Ginger Rodgers number? Does Show People have it's roots in Annie Get Your Gun? Probably so - and there are probably more that this theater novice just didn't pick up on!

It's goofy and silly and fun all around. I might say that while David Hyde Pierce (the lieutenant) loves the stage and is a great comedic actor - he's not much of a singer or dancer. Debra Monk plays one of the show's producers and I have to say - You can hear a little Ethel Merman in her. She commands the stage with her character's powerful personality and biting wit. Edward Hibbert - as old as he is - simply steals the show as the stuffy, witty and cantankerous director. And you can never mistake the voice of Ernie Sabella - bellowing all the way off stage for his enterance. Yes, even the orchestra conductor has dialogue and a song to sing!
Yes, a bit campy. Yes a bit "old fashioned". Yes, not the "best" show you've ever seen - - but the supporting cast brings the house down with each company number. I did see it at its first preview so maybe they'll tighten up the show, cut some dialogue, and contain the energy. If they can keep you tapping from 8:07 to 10:15 after opening night they might have a pretty good run of it.

The Pajama Game

What a treat! There is simply nothing musically better on Broadway right now! The leading roles couldn't have been cast any better - - Chemistry... yeah chemistry. Harry Connick, Jr. and Kelly O'Hara were simply glowing the entire performance.

The story, of course, is one of those saccharine, 1950's style musicals! (based on the novel 7 1/2 cents). Lots of singing and dancing for no particular reason! More than one great tune you already knew - - "Steam Heat", "Hernando's Hideaway", and the song simply made for Harry Connick Jr to sing - "Hey There" (you with those stars in your eyes)... The supporting cast is the best kept secret too. Roz Ryan (Chicago, Ain't Misbehavin', Dream Girls), Michael McKeen (Lenny from Laverne and Shirley), and a cast of wonderfully fun and colorful dancers and singers.

And when Harry Connick Jr. opens his mouth - - I can only compare it to perhaps watching Barbra Streisand in concert. He was magnificent. (ok, i'm not even going to mention the part when he takes his shirt off - - ooohh child!). The trade off, you see, is that HCJ can't really dance very well and the acting was ok (better than i expected!). But I tell you that it won't phase you one bit! He more than makes up for it with his voice.

Unfortunately, this one is sold out - - so unless you're scalping a very expensive ticket you're going to have to just trust me on this one.

BEST MUSICAL REVIVAL here we come!

Gypsy