The Columnist

John Lithgow was born to play roles such as this one in David Auburn's new play, The Columnist,  having its world premiere at Manhattan Theatre Club.

Mr. Lithgow, along a cast of superb actors including Margaret Colin, Boyd Gaines, Stephen Kunken, Marc Bonan, Grace Gummer, and Brian J. Smith take us on a carefully crafted interpretation of the famous mid-20th century newspaper columnist, Joseph Alsop.  The times (and The Times) were very different indeed.  News was not a 24-hour multi-media business.  Old-school journalists, at least the successful ones, tended to be insiders with the establishment ("and that's not a compliment" says one of the characters midway through the play).  At the time of the Vietnam war, journalism was opening up and new, younger, more diverse blood in the industry was beginning to develop a voice.

Mr. Lithgow portrays Mr. Alsop with his usual top-notch flair and intensity.  The visual similarities are striking and makes him even more believable.  A Tony nod is likely and well deserved. Mr. Smith, as a young Soviet, shirt on and off, is, once again, a young dynamo - a visual diamond and an aural delight.  Ms. Colin, Mr. Gaines, and Mr. Kunken all provide excellent support to the story and portray their characters with flair and aplomb.

Mr. Alsop would never have approved of this blog nor most of what passes as news today.  Based on what I saw on the stage at the Samuel J. Freidman Theatre (The Biltmore, as I prefer to call it) some of that opinion is probably justified, but indeed, comes along with some less than desirable baggage.

Driving Miss Daisy

If you count yourself among those that saw the 1989 Oscar winning film by the same name staring Morgan Freeman and Jessica Tandy, you're probably going to have the same reaction to the play that I did.  "So that's it"?  

I can't say I know the original play, but I can tell you that it is most probably pretty similar to this incarnation, its Broadway debut, than the movie.  The original play was part of a trilogy written by Alfred Uhry named the Atlanta Trilogy which dealt with Jewish residents of the aforementioned city in the early 20th century.  The movie certainly had a more sentimental, gentle, and quaint appeal.   As with many works that go from stage to screen, Driving Miss Daisy gained a great deal of cinematographic depth and character development that would never be possible on stage.  The play, as presented, is a series of vignettes - seemingly more detached than the flow on the big screen - certainly less colorful and much here is left up to the imagination, including the car itself - represented by merely a chair, a bench and the skeleton of a steering wheel. 

While it was the treat of a lifetime to see these two national treasures (James Earl Jones and Vanessa Redgrave) on stage together for the first time, I must admit that I thought it was more about the strategy of putting these two mega-starts together to perform, not necessarily fulfilling the author's intent of a much younger Hoke to the more elderly Miss Daisy.  That aside, not a second passed that the two of them, aptly complimented by 4 time Tony award winner, Boyd Gaines, failed to delight. 

As movies go - this one was top notch.  It's hard to beat that on stage the second time around.

Pygmalion

Clair Danes pulls it off in style! She's been on Broadway before, but never like this. She's a tough, street smart gal in England, Eliza Doolittle, turned into a lady before our eyes by Jefferson Mays as Professor of Phonetics, Henry Higgins.

The play, as many of you know, is what the musical My Fair Lady is based on. Sans music - it's still a powerhouse. George Bernard Shaw's words flow like water - ever eloquent, filled with energy and packed with meaning. I've not seen the musical or the play before and I have to report i thought that Henry Higgins, played by the ever affected Jefferson Mays was just a bit to odd for my liking. Having nothing else to compare against, i don't know if it's Jefferson being his usual "odd" self, or perhaps exactly how Shaw envisioned the role.

Roundabout seems to have yet another success story with this one. I doubt it will be a "sell out" smash hit, but it is certainly a treat for those who are hungry for a classic.

Gypsy

Gypsy was truly one of the most anticipated theater event of 2007 - post Tony's no-less. As Rose says - "Ya either got it ...or ya ain't". And folks - Ms Lupone has got it! (video hightlights link below)

OK - so we were on our feet applauding the minute she pranced down the right center orchestra aisle - "Sing out Louise!", Rose exclaims as she opens the show. And sing out she did for the next 2 hours. She owned the role. She dominated the stage just as she did her daughters. With her signature vocal power and precision she belted out each Jule Styne note and each Sondheim Lyric. It's no wonder we were on our feet hollering as the "Rose" sign fell at the end of Act II and she belted out Roses Turn.

Now this show was not a Patti Lupone-only concert. Encores! now has air conditioning in City Center - so this show is a 3 week summer run off-book with full staging, orchestration, and choreography. There are other cast members and they indeed are stars in their own right and truly made the entire evening a production we will not soon forget.

Boyd Gaines played the beaten down, love-sick Herbie. Arthur Laurents, who wrote the book, directed this show (he's still alive and kicking) gave us a Herbie and Rose who were truly in love and you could see the chemistry between the two from the minute he laid eyes on Rose.

Laura Benatti could not have been a more beautiful and elegant Gypsy Rose Lee. When she performed Let me Entertain You at the end of act two and came out in a sequence of progressively more sexy outfits - I knew by the last one when she came out in a dress that appeared to be pure dripping-wet gold that we would be on our feet - - and indeed we were (again!).

And I can't let an opportunity pass to drool over another cute boy - so I'll just say now that Tony Yazbeck and I are getting married (I had a dream.... a dream about you, Tony...). I mean you can't stop looking at him anyway but it's an even bigger bonus that the dancing is so flawless and graceful too. (*sigh*)

Let's not forget about the kids... the newsboys and the farm boys... the Louises and the Junes - so many to cast and so cute to watch. One of my favorite scenes is the transition "gimmick" with the strobe light and the dancing kids where they "age" right before your very eyes. Kudos Arthur Laurents and most probably Jerome Robins whose original choreography was used in this production.

This production seemed to emphasise a Rose more comedic and sarcastic, all the while never losing the sense she had of the (albeit twisted) love she had for her daughters. It focused on the kids and the Act I production numbers in a bit more classical musical theater production sort of way. Each Rose and each production is always different. Ethel, Angela, Tyne, and Bernadette each put her stamp on the role. Now Ms Lupone has done the same.

All you need is $88 bucks... grab yourself a ticket and don't miss this very limited run. Everything's coming up Roses over at City Center for the next two weeks only. Curtain Up! Light the Lights! They got nothing to hit but the heights!

Video Highlights!! http://www.broadwayworld.com/videoplay.cfm?colid=19980

Journey's End

At first glance, it may seem that the Belasco Theater forgot to pay the electric bill. But upon closer inspection, you realize that Hugh Dancy, Boyd Gaines, Jefferson Mays, and Stark Sands need absolutely no lighting except for the candles to make them shine on stage.

The intentionally dim stage has been transformed into an underground bunker in Quentin, France during WWI in 1918. It's a tense 3 act play that takes you deep into the topic of what war can do to a person's psyche, how friendships change, and what the words honor, bravery, and loyalty really mean.

Let's just say, this play is going no where happy. The incredible sound system in the theater provides the backdrop of war - guns, shells, and loud, very realistic explosions. No surprises here. I saw the 4th performance of this show in previews and I left in awe. The acting is outstanding and the chemistry is superb.

Run - don't walk - to this one - but when you arrive - Sit. Enjoy. Absorb.

12 Angry Men