title

title
Photo by Don Kellogg
Showing posts with label Kristin Griffith. Show all posts
Showing posts with label Kristin Griffith. Show all posts

Thursday, May 25, 2017

Animal

In this new play by Claire Lizzimore, you are expected to think... and connect dots... and solve her riddle....  It's not that complicated but it is open to interpretation to a large degree.  No spoilers here, except to say that in the end you will know why she she titled the play "Animal" and who it refers to.

Rachel (Rebecca Hall) and Tom (Morgan Spector) are married and Rachel is troubled.  She is seeing a doctor, Stephen (Greg Keller).  It's all a shade too mysterious, too unclear, too uncertain.  There is a mother in a wheelchair (Kristin Griffith) and a little girl (Fina Strazza) and a quite perfect hunk of a man (David Pegram).  Who are all these people to Rachel and exactly what is going on here?

It's only at the very end that you figure out the what is going on here part - and you'll have to connect the dots as far as who are all these people to Rachel.... but it's an intimate, black box drama that keeps you sitting upright and on the edge of your seat.  Bravo Atlantic Theatre Company.

Sunday, September 19, 2010

bottom of the world

A new work by Lucy Thurber (last Atlantic production was Scarcity with Kristen Johnson and Michael T. Weiss) made it's debut on Stage 2 at the Atlantic Theatre Company this past week.  Bottom of the World explores the cycle of life and death via a complex set of family relationships and visions of an "alternate family" as seen through both the author of a recently published book (the dead sister) and the reader (the surviving sister).    What made it slightly more complex was that the story was told through the eyes of a family that had two brothers, rather than the two sisters and each had parents - all of course played by the same actors in parallel.  Yikes!  Attention must be paid.

There are a few facts I wish we knew up front - such as why one sister was black and one was white.  Blind casting, i thought?  Alas, they had two separate fathers.  In the meantime, I had already noticed that the brothers who paralleled the sisters were also white and black.  Then somewhere in the middle we learn the one sister was a lesbian.  There was no parallel gay character, but indeed other concepts ran in parallel.  Focus, Focus!

I will note there was some delicious talent in this one.  Intelligent writing, for sure (Lucy) - but I'd go on to say a few stand-outs were cast - Crystal A. Dickinson (Abagail) and Aubrey Dollar (Susan/Dana), Brendan Griffin (Josh) and Brandon J. Dirden (Ely).   Kudos to the set designer,  Walt Spangler.  I think all those 2x4's that were the set were supposed to represent the tangled roots of a tree turned upside down (just like the play's logo).  Sometimes your life can get turned upside down - is what I took away as the symbolism.  The musicians (a banjo and a fiddle) lingering up in the tree (the roots, i suppose) provided tasteful and melodic background and mood music - just like the birds would.  Nice touch.

Woven throughout the tapestry of this play is the theme that we should all notice the ones we love (i.e pay attention!) and love the ones we notice.   Well, I noticed this play on-line today - and I really loved it.  I hope you get the chance too -  before it's too late.