The Book of Mormon

Previews just started on what I firmly believe is going to be the best new musical of the season!  Without a doubt, a clever, intelligent, and completely irreverent book written by Trey Parker and Matt Stone of South Park fame and Robert Lopez of the Tony Award winning Avenue Q fame.   Did I mention it's irreverent?  In 2 1/2 short hours they manage to skewer the entire Mormon religion, all the while your gut is busting from all the laugh out loud moments.  Behind it all there's a message about religion, humanity, faith and community. Now how awesome is that?!

As you would suspect, the story is about the required mission that all young Mormon boys must take when they turn 18 - in this story - Elder Cunningham (Josh Gad) and Elder Price (Andrew Rannells) and their wild trip to Uganda in Africa.  Did I mention the play is irreverent?  To take a quote from another show, "Fasten your seat belts, it's gonna be a bumpy night".  By the time they meet up with Elder McKinley (Rory O'Malley) and a village of Ugandans including Nabulung (Nikki M. James), Mafala Hatambi (Michael Potts) - your side is already throbbing from the infectious laughter.  The entire ensemble cast is divided into two - the local Mormon mission and the local African villagers.

The other adorably handsome boys at the mission never fail to entertain and delight - filling both acts with rousing, big-Broadway dance numbers - including some rousing tap with shiny pink sequin vests (yes, it's occasionally more than your basic black and white outfits for these boys).  The local Ugandan villagers start us off with a great African inspired number titled Fuck God - and the temperature in the theatre heats up from there.  When the two groups meet up it's double the singing, dancing, dream sequences and insults all around.  I mean, seriously, there's a lot to laugh about when it comes to Mormons!

No spoiler alert needed here - I won't give away Matt, Trey, Robert or the ever-brilliant choreographer, Casey Nicholaw's, big-Broadway secrets.  If you want to see a deliciously entertaining new Broadway musical chock full of blasphemous humor, adorably handsome Mormon boys and an African village filled with AIDS - get your tickets for this Book today.  Did I mention it's irreverent?

WATCH THIS SHORT VIDEO FOR MORE BACKGROUND ON THE SHOW:

On the Town

Another glorious, if only short lived, revival at City Center Encores!  A wartime musical penned by the indomitable pair - Betty Comden and Adolph Green with music by Leonard Bernstein.  The tale, as it goes, has 3 baby-faced sailors on shore for 24 hours in New York City.  One can only imagine the trouble they find.    First performed in 1944 during WWII, there is probably some small echo today of a wartime nation watching a few fresh faced (read absolutely gorgeous) young military boys entertain us on stage.  

Fresh off his role in Gypsy - Tony Yazbeck takes the helm (Gabey) with the support of his two sailor buddies - Justin Bohon (Chip) and Christian Borle (Ozzie).  The trio dance the show away - dazzling us with their graceful steps.   Paired up with each of the boys are equally talented young ladies each with a different take on life in the big apple - Leslie Kritzer (Hildy),  Jessica Lee Goldwyn (Ivy) and Jennifer Laura Thompaon (Claire de Loone) all live up to the expectations of their characters and each make you smile in their own way.  Brava!   But who steals the show?  Well - Madame Maude P. Dilly of course.   Played by none other than the incomparable Andrea Martin.

The show, as you would imagine, is a bit dated.  Kind of wholesome, square, and contrived - but most of the classic American musicals are.  For us in 2008 - it may seem phony - but it provides us with a glimpse back when times and people, too, were simpler.

Guest Music Director and conductor Todd Ellison took the helm of the Encores! Orchestra in grand style - involving himself in a scene or two - as it usually goes with the Encores! productions. 

If I had one complaint - it was not about the show's production quality - it was about the staging.  Shame on you John Lee Beatty for allowing the house to be sold out and then setting the "second" stage so far back.   The idea of placing the Encores! orchestra right up front is great, but you can't create an entire stage behind them.  Nobody can see what's going on - except for those in dead center orchestra seats!  For Christ's sake - i was sitting center grant tier - and i had trouble seeing what was going on back there on the sides.  The poor people who paid $95 a ticket in Row A of the Mezzanine should revolt and have you pay them back personally.

Were it not for the boyish and ever-graceful Tony Yazbeck (um, yes, i think he's absolutely and completely dreamy) I might be annoyed.  *sigh*