In Transit

Seven talented individuals come together at the 59e59 Theaters to present In Transit, a new a cappella musical poem to New York City, painting a portrait of the lives, loves, losses, hopes, and dreams of its many inhabitants.  We're a quirky, off-beat, angry, ambitious, optimistic, and most of all, diverse group of people all trying to "make it" here in the concrete jungle and these amazing performers cover the gamut in about 100 minutes.   Take one beat-boxer (that's the guy who makes the sounds of the drums with the microphone) and add six glorious voices and the result is one potent, song-filled evening.  Any New Yorker bound to recognize a friend, family member, or co-worker one of the characters and is guaranteed to find themselves taping their feet to the beats.  Take a subway ride over to the East Side and hear the feel good story for yourself.

Hair: The American Tribal Love Rock Musical

The 40th anniversary of the Public Theatre presentation of Hair could not have been more appropriately staged than it was this summer at the Delacorte Theatre in Central Park.  The outdoor venue, the trees, the lights, and most of all the actors playing out a script over 40 years old that is as relevant today as it was 40 years ago.    Hair, The American Tribal Love Rock Musical was around long before AIDS, Bosnia, Global Terrorism and Facebook.    Yet somehow, this piece stands out as iconically in our national culture; a generation's emotions played out on stage.  Times certainly to change - - or do they?  Somehow we find ourselves in a similar situation today.  Different people, different countries, different economics and social norms - yet just about every song rings just as true today as it did in 1968 when Galt MacDermot wrote the music and Gerome Ragni and James Rado wrote the book.

On "stage" (mostly dirt and grass) this time is a talented tribe of modern day activists - Headliner Jonathan Groff (In My Life, Spring Awakening) is uber adorable and even more talented at the tender age of 23 as Claude.  He provides just enough fresh and innocent pared up along side his free spirited, hippie tribal peacemaker and protester.   Will Swenson (110 in the Shade) sinks his substantial chops (and gorgeous, well maintained body) into the tribal leader, Berger.  Patina Rena Miller, as Dionne, would have blown the roof off the theater if 

there was one in the opening number, Aquarius.

As a matter of fact, the entire tribe was filled with talent.  And as hard as i looked, i could not find one person who didn't look like they were having fun each and every minute of the performance. Liking your job is important is many industries.  No exception here.  

Tickets for this show can be obtained in two ways - you can donate $165 (or more) to the Public Theatre.  In return for that, they provide you with a ticket in advance to the show.  If you would like to get a free one - everyone queues up at 1pm in hopes of being one of the lucky 1200 to get one for that night's performance.  Most

 do.

On top of all this good stuff, you get to watch the show outside, in central park.  What more could you ask?  Run... don't walk... and get a ticket to the Be-In that's lasted over 40 years!