Liev Schreiber powers through the callers with an intensity like that of a genuine late night radio shock jock. The show is basically 90 minutes of his character, Barry Champlain on the radio taking calls, telling it like he sees it, turning up the heat and asking provocative questions on the eve of a deal that will take his local Ohio radio show national. What develops is the juxtaposition of Champlain's character on the radio versus real life - and the struggle to draw a clear line between the two.
Make no mistake, the show is scripted. The callers are all off-stage and are not a variable part of the show. One of my favorite entertainers - Christine Pedi - creates many of the voices. Actually there are 5 callers and they run the gamut of voices and personalities. On stage, there is a small supporting cast, including Stephanie March (ADA Alexandra Cabott - Law and Order SVU).
There was certainly an intensity to the performance - staged as if
in a studio - with working microphones, hence the "deep radio voice" is broadcast to the audience as if we were actually listening to the radio.
The show, written by Eric Bogosian (
SubUrbia,
Law and Order CI) 20 years ago, doesn't seem to "shock" as much as it probably did 20 years ago. Today we're all used to Howard Stren and the likes. Yet there is a timeless story buried beneath the surface - the story about how Hollywood and the Media can make a star out of a character and how that real person and life behind the character can transform - or be transformed - by the circumstances.
My mother used to tell me not to believe everything I read. I'd consider extending that to everything you hear, too.
With nothing more than a few cardboard boxes and a bunch of baseball hats with the many characters' names written on them - they entertain away. And never once did they mix up the hats and characters (and i never saw them "peak" at the hat stacks to verify the names).
I wish more could be said about the play itself... The cast - 5 women from a mid-west suburb - could not be more stereotypical 1968! Bonnie, the host, is upset because her husband who is on his way to bowling night said she didn't look as good as she did 20 years ago (the booze starts flowing after that!); Tracy Ann, the stupid bimbo farm girl from Iowa, had a baby-talk voice that was like nails on a chalk board and after 20 minutes at least 5 people got up and left from the agony of having to listen to her. (I paid $39 for tickets and was going to stick it out to the bitter end no matter how awful it got!); Diane, the Tupperware superstar sales lady, is glamorous on the outside but dead on the inside; and, last, but not least, the "identical opposite" sisters, Jean and Sinclair. Jean is the sister who got all the attention and married rich and Sinclair is the fat, foul mouthed, bitter, booze-hound who has 4 kids and one more on the way (think Roseann Barr). 
Maxwell Caulfield, Barbara Bryne, and Kristine Nielsen comprise the major players in the theater troupe. Their characters all have marginal talent and are nothing "big". Throw in a young (and very cute) stage manager learning the ropes in the theater, who seems to have an inappropriately ultra religious upbringing (along with a closeted curiosity for men) and you have all the ingredients for some laughs and some serious drama. 
